Showing posts with label inklings. Show all posts
Showing posts with label inklings. Show all posts

January Inklings (I know it’s February… shhh)

    It’s been rather too long since I’ve done an Inklings post. Last month’s was a scene with a horse in a book or film.

    I agonised over what to choose for this for a grand total of perhaps a minute. I always talk about the Lord of the Rings. I could talk about it for hours. I really should choose something else. I am, after all, a well-rounded person with a variety of interests.


    And, well, I lost that particular fight. So here’s a scene (with not one, but many horses) from the Lord of the Rings. All credit, of course, to the inestimable J.R.R. Tolkien.

At length even Gimli could hear the distant beat of galloping hoofs.

The horsemen, following the trail, had turned from the river, and

were drawing near the downs. They were riding like the wind.

Now the cries of clear strong voices came ringing over the fields.

Suddenly they swept up with a noise like thunder, and the foremost

horseman swerved, passing by the foot of the hill, and leading the

host back southward along the western skirts of the downs. After him

they rode: a long line of mail-clad men, swift, shining, fell and fair

to look upon.


Their horses were of great stature, strong and clean-limbed; their

grey coats glistened, their long tails flowed in the wind, their manes

were braided on their proud necks. The Men that rode them matched

them well: tall and long-limbed; their hair, flaxen-pale, flowed under

their light helms, and streamed in long braids behind them; their

faces were stern and keen. In their hands were tall spears of ash,

painted shields were slung at their backs, long swords were at their

belts, their burnished shirts of mail hung down upon their knees.

In pairs they galloped by, and though every now and then one

rose in his stirrups and gazed ahead and to either side, they appeared

not to perceive the three strangers sitting silently and watching them.

The host had almost passed when suddenly Aragorn stood up, and

called in a loud voice:


‘What news from the North, Riders of Rohan?’


Inklings | January 2025 Edition

    Greetings! I return to you today with a Very Exciting Gift: a new Inklings post! This month’s prompt is a sunrise in a book or movie and thankfully, I have just the thing. 

    In act 1, scene 1 of Hamlet, a group of soldiers and their Illustrious Scholar Friend (Horatio) are awaiting a strange happenstance that has been “two nights seen”—the ghost of their dead king. It appears once more to them, but flees at the cock’s crow and the sunrise. The group vows to impart this knowledge to their friend and prince, Young Hamlet. 

From the BBC version with David Tennant. Unfortunately, I couldn’t find many other images from this scene, though.

    (Conveniently, I have most of the play and consequently this scene memorised, having performed in a production nigh on a few months ago.)

BARNARDO

    It [the ghost] was about to speak when the cock crew.

HORATIO 
 And then it started like a guilty thing
 Upon a fearful summons. I have heard
 The cock, that is the trumpet to the morn,
 Doth with his lofty and shrill-sounding throat
 Awake the god of day, and at his warning,
 Whether in sea or fire, in earth or air,
 Th’ extravagant and erring spirit hies
 To his confine, and of the truth herein
 This present object made probation.

MARCELLUS 
 It faded on the crowing of the cock.
 Some say that ever ’gainst that season comes
 Wherein our Savior’s birth is celebrated,
 This bird of dawning singeth all night long;
 And then, they say, no spirit dare stir abroad,
 The nights are wholesome; then no planets strike,
 No fairy takes, nor witch hath power to charm,
 So hallowed and so gracious is that time.

HORATIO 
 So have I heard and do in part believe it.
 But look, the morn in russet mantle clad
 Walks o’er the dew of yon high eastward hill.
 Break we our watch up, and by my advice
 Let us impart what we have seen tonight
 Unto young Hamlet; for, upon my life,
 This spirit, dumb to us, will speak to him.
 Do you consent we shall acquaint him with it
 As needful in our loves, fitting our duty?

MARCELLUS 
 Let’s do ’t, I pray, and I this morning know
 Where we shall find him most convenient.


    It’s such beautiful language, isn’t it? Hamlet is one of Shakespeare’s most popular plays, and for good reason. (It’s also my favourite, but I’m somewhat biased :P)

   So there you have it. Go forth in peace and read Hamlet! God bless you all :)


Soli Deo Gloria,
Hannah

Inklings | September Edition

   What-ho! 

    Well, I’m back (to quote Samwise Gamgee). Back to internet access and homework and Such Things. The next part of my (still unnamed) story will be coming sometime soon, but now it’s time for the September Inklings prompt! This month it’s a scene in a kitchen in book or film

   Today’s selection comes (somewhat predictably, I admit) from J.R.R. Tolkien’s The Hobbit. It may also serve as a Celebration Post, for today in 1937 The Hobbit was first published and tomorrow’s Hobbit Day (being the combined birthdays of Bilbo and Frodo Baggins.) So, happy Hobbit Weekend, everyone (that’s not what it’s officially called, of course, but it just seems to make sense… oh, bother. You get what I mean, right?)

I’m quoting from the book, but this scene of the movie was done So Well, so I’ll be using pictures throughout. (Credit to New Line Cinema, of course!)

    Right.
    Ahem. Anyhow, let’s set the scene. Picture a large kitchen—Bilbo’s kitchen, in fact—beautifully furnished with wood carvings and porcelain plates and hobbit-sized pantries in the back. That’s where our scene begins—until our lovely friends the dwarves arrive and begin singing riotously, of course.

    What fun!

    The dwarves ate and ate, and talked and talked, and time got on. At last they pushed their chairs back, and Bilbo made a move to collect the plates and glasses. 
    “I suppose you will all stay to supper?” he said in his politest unpressing tones.
    “Of course!” said Thorin. “And after. We shan’t get through the business till late, and we must have some music first. Now to clear up!”
    Thereupon the twelve dwarves—not Thorin, he was too important, and stayed talking to Gandalf—jumped to their feet, and made tall piles of all the things. Off they went, not waiting for trays, balancing columns of plates, each with a bottle on the top, with one hand, while the hobbit ran after them almost squeaking with fright: “Please be careful!” and “Please, don’t trouble! I can manage.” But the dwarves only started to sing: 
 

          

Chip the glasses and crack the plates!
Blunt the knives and bend the forks!
That’s what Bilbo Baggins hates–
Smash the bottles and burn the corks!
Cut the cloth and tread on the fat!
Pour the milk on the pantry floor!
Leave the bones on the bedroom mat!
Splash the wine on every door!
Dump the crocks in a boiling bowl;
Pound them up with a thumping pole;
And when you’ve finished, if any are whole,
Send them down the hall to roll!
That’s what Bilbo Baggins hates!
So, carefully! carefully with the plates!

    And of course they did none of these dreadful things, and everything was cleaned and put away safe as quick as lightning, while the hobbit was turning round and round in the middle of the kitchen trying to see what they were doing. Then they went back, and found Thorin with his feet on the fender smoking a pipe. 

    Isn’t this such a fun scene? Poor Bilbo’s quite overwhelmed (he’d like to insert here that those dwarves had No Blithering Right to toss his mother’s finest china about like that, and even though they did become his friends he still Vividly Remembers the shock it gave him) and the dwarves aren’t the most polite of guests. 

    It’s nothing, really, compared to what happened Afterwards (see the Burglary Contract, in which Incineration is mentioned multiple times) but still quite overwhelming—from Bilbo’s side—and laughable—from mine. Though, if the likes of Thorin Oakenshield and Company came waltzing into my kitchen with No Manners Whatsoever, I’m not sure I’d react any better than Bilbo.

Said reaction right here ^

    I’d probably smack His Majesty in the forehead with a spatula and tell him to get out until he learns a) manners and b) that No One is too important to sing fun songs. 

    Ya hear me, Thorin? That’s right. 

    (I would like to note, here, that I actually Rather Like Thorin… but the admonition remains.)

    Anyhow, this is one absurd and wonderful scene. What would you do if twelve dwarves (likely in need of a Very Thorough Bath) showed up at your door?

Namarië, 

Astrya

Inklings | August Edition

    Well. 

    It’s certainly been a hot minute, hasn’t it? I was gone almost two months, and it’s such a strange feeling to be back, home, doing normal things. 

    For those of you who are completely clueless, I was away for six weeks (and some) at an intensive violin program on the other side of the country, where we performed multiple concerts every week in symphony orchestra, and on top of that I had a (fabulous and amazing and wonderful) quartet with whom I performed and recorded. Our schedule was so packed it was difficult to find time for individual practicing! And yet I loved it. We had the chance to work with world-class performers and conductors, and I’d say it was probably the best summer of my life. 

Isn’t this quote so beautiful?

    (If you are someone I knew there and you’ve somehow stumbled upon this, I just want to say… having such excellent musicians and wonderful people as my friends for six weeks was absolutely incredible and made my time there That Much Better. And made it that much harder to say goodbye. But almost no goodbye is forever—we’ll meet again, and I look forward to the day we do!)

    (Now excuse me while I go practice…)

    Kidding. At least for now. Because it’s August now, and there’s a new Inklings prompt out! This month it’s a scene by the ocean in book or film and you can find Heidi’s original post here 

    My selection comes from medieval poet Edmund Spenser’s Amoretti LXXV, one of the earliest sonnets written in English. It dates from the mid-1580s and features this sonnet about the poet’s seemingly vain attempt to immortalise his beloved’s name by writing it on the sand at the beach—but when the tide comes in, the name is slowly washed away. 

One day I wrote her name upon the strand,
But came the waves and washed it away:
Again I wrote it with a second hand,
But came the tide, and made my pains his prey.
‘Vain man,’ said she, ‘that dost in vain assay,
A mortal thing so to immortalize;
For I myself shall like to this decay,
And ere my name be wiped out likewise.’

    It’s beautiful, and tragic, and subtly mourning the curse all humanity must experience—that is death. How can love be immortal when no human being is? And yet—and yet. Because we are created in the image of God we are also capable of loving unconditionally—as He does. And that is a love that transcends even death. 


    So is Spenser right, that nothing mortal can, or ought to, be immortalised? Is the narrator vain for attempting to do so? 

    If he was attempting to immortalise something sinful, I would agree. But because he bears a love that transcends even death—I don’t think he is vain. He’s sentimental, a fool even, but it is not an evil to give someone you love a token of that affection, however finite. 


    What thinkest thou, dear reader? (See, Elizabethan English affects me. I can’t read more than two paragraphs without adopting it for mine own self.) Is it wrong to immortalise love in a mortal manner? 

Soli Deo Gloria!

——

Namarië,

Astrya

Inklings | May Edition

    When I first saw Heidi’s May prompt for the lovely Inklings series, my inner dialogue went something like this:

    Pearls? What a delightful idea!

    What on earth will I do?

    Because May’s prompt is, as you may know (and if you don’t you’re missing out) a scene from a book or film with a pearl necklace. And except for the odd description here or there, I know of very few pearl-necklace-scenes.

    But I do know of something with a pearl. 


    A while back I obtained a book of three poems from the middle ages, including Sir Gawain and the Green Knight, translated by J.R.R. Tolkien. One of the others, aptly named Pearl, is a poem exploring a sense of deep personal loss through the metaphor of the loss of a pearl. It’s really quite profound. “Pearl is apparently an elegy on the death of a child,” Tolkien wrote. “[It is] a poem pervaded with a sense of great personal loss; but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.”

     The poem begins like this:

Pearl of delight that a prince doth please
To grace in gold enclosed so clear, 
I vow that from over orient seas
Never proved I any in price her peer.
So round, so radiant ranged by these,
So fine, so smooth did her sides appear
That ever in judging gems that please
Her only alone I deemed as dear.
Alas! I lost her in garden near:
Through grass to the ground from me it shot;
I pine now oppressed by love-wound drear
For that pearl, mine own, without a spot.

    The language and metre are absolutely beautiful, and so is the subject matter. Knowing that the pearl is a metaphor for some dear person lost and never in this life recoverable makes it all the more poignant. The poem is quite long, but I’ll just provide the ending as well—which is just as, if not more, brilliant. 

To please that Prince, or be pardon shown,
May Christian good with ease design;
For day and night I have Him known
A God, a Lord, a Friend divine.
This chance I met on mound where prone
In grief for my pearl I would repine;
With Christ's sweet blessing and mine own
I then to God it did resign.
May He that in form of bread and wine
By priest upheld each day one sees,
Us inmates of His house divine
Make precious pearls Himself to please.

    As I understand it, the Prince is Christ, the Prince of Peace. Here at the end, the narrator is surrendering that terrible loss to Him, saying Thy will be done, despite how much it hurts. 

    How beautiful a message is that? And how terrifying, for the unknown is a terrifying thing. But whatever happens, we can have the confidence that the Lord is with us, no matter what, and loves us so extremely much.

    Soli Deo Gloria!

——

Namarië,

Astrya

Read The Hobbit with me!

there are things more beautiful than words can ever tell       I’m running a book club this year and our current book is the Hobbit - so I ...